Browse Title Index


 
Issue Title
 
Vol 5, No 1 (2014) A battle cry against depravity: Lamenting generational dispossession in Tanure Ojaide’s Labyrinths of the Delta and the endless song* Abstract
Niyi Akingbe
 
Vol 5, No 2 (2014) A DOLLAR FOR TWO Details
Nomsa Tsitsi Ngwenya
 
Vol 6, No 1 (2015) A NATION BECOMING? MEDIATING POST-APARTHEID IDENTITIES IN ANTJIE KROG’S COUNTRY OF MY SKULL Abstract
Solomon Mwapangidza
 
Vol 5, No 1 (2014) ACCENTED FUTURES BY CARLI COETZEE Details
Khwezi Gule
 
Vol 5, No 1 (2014) AFRICA’S NATURAL HERITAGE AND ECOLOGICAL VISION IN THE WORK OF BART WOLFFE Abstract
Syned Mthatiwa
 
Vol 7, No 2 (2016) AFRICAN LITERATURE AND INDIGENOUS RELIGION: A STUDY OF WOLE SOYINKA’S DEATH AND THE KING’S HORSEMAN AND D.O. FAGUNWA’S ADIITU OLODUMARE Abstract
Femi Abodunrin
 
Vol 7, No 1 (2016) AFRICAN WOMEN AND FORBIDDEN GROUNDS: FEMALE SEXUALITY AND SELF-DETERMINATION IN AFRICAN LITERATURE Abstract
Oyeh O. Otu
 
Vol 6, No 1 (2015) AIME CÉSAIRE, WRITING THE (NON) HUMAN AND THE ONTOLOGICO-EXISTENTIAL SCANDAL Abstract
Tendayi Sithole
 
Vol 7, No 1 (2016) AMBIGUITIES OF FORGIVENESS IN LEFT TO TELL: DISCOVERING GOD AMIDST THE RWANDAN HOLOCAUST (2006) Abstract
Shingirirai Gabi
 
Vol 7, No 1 (2016) AN AMALGAM OF GENRES Details
Naomi Nkealah
 
Vol 6, No 2 (2015) ANNE TANYI-TANG AND BOLE BUTAKE: TWO ANGLOPHONE CAMEROONIAN PLAYWRIGHTS WITH CONTRASTING VISIONS OF WOMEN Abstract
Naomi Nkealah
 
Vol 8, No 1 (2017) ‘Guilty Pleasures’, ‘Forbidden Fruits’ and ‘Brave Confusion’: Queer Love in the Music and Videos of South African Singers Toya Delazy and Nakhane Touré Abstract
Gibson Ncube
 
Vol 6, No 2 (2015) ‘THE HISTORICITY OF TEXTS AND THE TEXTUALITY OF HISTORY’: A NOTE ON WHY READING ZIMBABWEAN AUTOBIOGRAPHY SHOULD BE HISTORICISED Abstract
Hazel Tafadzwa Ngoshi
 
Vol 7, No 2 (2016) BREAKING GENDER STEREOTYPES: WOMEN AND WORK IN THE FILM THE NO. 1 LADIES’ DETECTIVE AGENCY Abstract
Washington Mushore
 
Vol 8, No 1 (2017) Chinua Achebe; Dialogical Self theory; Hubert Hermans; Internal vs. External I-positions; Things Fall Apart Abstract
Mohammad Shaaban Deyab, Ebtihal Abdulsalam Elshaikh
 
Vol 8, No 1 (2017) Christian Worship as Dramaturgical Model: A Study of the Use of Drama in Nigerian Churches Abstract
Ogungbemi Christopher Akinola, Patrick Ebewo, Olufemi Joseph Abodunrin
 
Vol 5, No 2 (2014) CONTESTATION OF HEGEMONIES THROUGH PROPAGANDA THEATRE IN POST 2000 ZIMBABWE: THE CASE OF MAD¬ZOKA ZIMBABWE AND THE COUP Abstract
Ephraim Vhutuza, Urther Rwafa
 
Vol 8, No 1 (2017) Dance of the Jakaranda, by Peter Kimani Abstract
Tomi Adeaga
 
Vol 7, No 2 (2016) DJANGO UNCHAINED: REDISCOURSING RACIAL RELATIONS DURING THE SLAVE TRADE Abstract
Peace Mukwara, Tatenda Mangosho
 
Vol 6, No 2 (2015) FATED EXISTENCE? CALCULATING THE TRAGIC CULMINATIONS OF OTHELLO AND OEDIPUS THE KING Abstract
Aleck Mapindani
 
Vol 7, No 1 (2016) FEMALE CHAUVINISTS AND MALE PATRIARCHS: A CRITICAL ANALYSIS OF GENDER RELATIONS IN AMA ATA AIDOO’S CHANGES: A LOVE STORY Abstract
Benon Tugume
 
Vol 7, No 2 (2016) GENDER AND CULTURAL NEGOTIATION IN NINAH’S DOWRY: EXPLORING A CAMEROONIAN VIEW Abstract
Yvette Ngum
 
Vol 8, No 1 (2017) Gender, Religion, and Sexuality Under the Spotlight Abstract
Naomi Nkealah
 
Vol 6, No 2 (2015) GOOD WIVES AND BAD WIVES: IBEZUTE’S VICTIMS OF BETRAYAL, THE TEMPORAL GODS AND DANCE OF HORROR Abstract
Solomon Awuzie
 
Vol 5, No 2 (2014) GRAHAM LANG’S DEPICTION OF THE ZIMBABWEAN CRISIS, MIGRATION AND IDENTITY IN PLACE OF BIRTH (2006) Abstract
Terrence Musanga
 
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